Connecting professional and amateur theatre in Newbury, West Berkshire and beyond

Watermill Theatre

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01635 46044. www.watermill.org.uk

The Watermill Theatre, Bagnor, Newbury, RG20 8AE. A map is here. A seating plan is here.

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Reviews of The Miser

11th April to 18th May 2013

Review from Newbury Theatre.

Harpagon, the eponymous miser in Molière’s comedy, loves his money a lot more than he loves his son Cleante or his daughter Elise. Both father and son want to marry Marianne; Elise wants to marry Valere, who is well connected but working as a steward in Harpagon’s household, but daddy wants her to marry Anselme, who is old but rich. After many machinations regarding Harpagon’s money, the play ends with a hilariously ridiculous denouement that Shakespeare would have approved of.

Director Nancy Meckler chose her cast from recently graduated actors, which helps to give the production liveliness and energy, but made it difficult to picture Alex Mann (Harpagon) as someone in his sixties. Eliza Collings was excellent as the feisty Frosine, the matchmaker trying to fix Harpagon up with Marianne, played by Charlie Russell, understandably bemused by the goings-on around her.

Daniel Wilde gave a strong performance in his dual role as Valere and Le Fleche (with a slightly dodgy Scottish accent). Ben Ashton was the bad son Cleante, with an imposing if slightly camp presence. Edmund Digby-Jones had the two very different roles of Maitre Jacques, the cook and coachman, and Anselme, the deus ex machina who, as everyone’s favourite relative, resolves the happy ending. Helen Sorren completed the cast as Elise.

There are lots of asides, directed at specific audience members rather than generally. It was a fairly restrained audience on press night, but I can imagine some audiences responding with a bit of heckling, which I hope the cast would take in their stride.

At a few places in the play, and before it starts, there were interludes with Maitre Jacques and two of his female housemaids doing a mime show, dressed as clowns. This was a charming touch, harking back to Molière’s Commedia dell’arte influences.

Martin Sherman’s modern script worked well – modern translations of pre-20th century comedy can be a bit problematic if they are not to expose the clunkiness of the plot, but no problems here.

All in all, an enjoyable, fast paced and action packed comedy.

PAUL SHAVE

Review from the British Theatre Guide and the Newbury Weekly News.

Director Nancy Meckler brings a fresh and vibrant interpretation to Martin Sherman’s new adaption of Molière’s The Miser and it’s a fast-paced and very funny production that had the audience laughing out loud from start to finish.

The Watermill is dedicated to supporting emerging artists through its Freewheel project which gives the cast and creative team of young professionals the opportunity to learn more about their craft through a longer rehearsal process and allows for additional teaching and training. They have grasped this challenge with relish in what is an impressive, gleeful production.

Ellan Parry’s atmospheric set of grey locked and chained cupboards with many secret compartments is intriguing and creates the ideal background with an aura of bleakness.

Alex Mann, dressed in a threadbare quilted coat, is superb as the miserly skinflint Harpagon who refuses to spend any money on himself or his children and has stashed away his vast fortune, burying some of it in the garden. He is totally obsessed and will do anything to avoid spending money much to the angst of his family.

His wily daughter Elise, alluringly played by Helen Sorren, is in love with Harpagon’s steward Valere, a splendid performance from Daniel Wilde who is painfully and hilariously ingratiating to his master.

Ben Ashton is marvellous as the ostentatious strutting peacock of a son Cleante who is in love with the innocent Marianne, the charming Charlie Russell, who comes from a very poor family and cannot provide a dowry in order that she can marry Cleante.

The tension mounts when Harpagon announces that he is about to marry Marianne that very evening, plunging Cleante into a panic as he desperately tries to borrow money to pay for the dowry with farcical results.

The lovers are reassured by the matchmaker Frosine, a delightful, robust and energetic portrayal by Eliza Collings, whose wit and quick thinking manages to keep all sides placated, convincing Harpagon that, “How could anyone love a puppy when they could have a dog” and to Marianne, “What’s the point in marrying an old man if widowhood was not in the marriage contract.”

Edmund Digby-Jones brings some lovely touches of humour as the cook and coachman Maitre Jacques, who is forced to produce food without any money and is worried that his horses are starving.

There are some magical moments of clowning that echoes the Commedia dell‘arte genre and are filled with comic invention and audience participation.

This is a perfect evening’s entertainment full of fun and mischief that leaves you feeling good, the perfect escape from the wet miserable weather. Bravo.

ROBIN STRAPP

There are reviews in The Public Reviews ("this new production... ramps up the fun and squeezes every last laugh out of Martin Sherman’s adaptation... a slow burner until the humour is fully unleashed in the final 30 minutes" 4 stars) and The Stage ("the young performers examine and capably develop their characters, blending typical commedia influence into the unique Watermill setting").

There's an interesting article...

... by the Watermill's Tei Williams about the process in staging a Watermill production, from choosing the play through to the opening night. It's here.

Reviews in the Archive

David Copperfield (March 2013)
Sleuth (February 2013)
Arabian Nights (November 2012)
The Tempest (September 2012)
Thoroughly Modern Millie (August 2012)
Boxford Masques (July 2012)
Ben Hur (June 2012)
Of Mice and Men (May 2012)
Love on the Tracks (April 2012 and on tour)
Henry V and The Winter's Tale (April 2012)
Lettice and Lovage (February 2012)
The Wind in the Willows (November 2011)
Some Like It Hotter (November 2011 and on tour)
Great Expectations (September 2011)
Radio Times (August 2011)
The Marriage of Figaro (July 2011)
Moonlight and Magnolias (May 2011)
Richard III and The Comedy of Errors (April 2011)
The Clodly Light Opera and Drama Society (March 2011)
Relatively Speaking (February 2011)
Treasure Island (November 2010)
Single Spies (September 2010)
Copacabana (July 2010)
Daisy Pulls It Off (June 2010)
Brontë (April 2010)
Raising Voices (March 2010)
Confused Love (March 2010)
Heroes (February 2010)
James and the Giant Peach (November 2009)
Educating Rita (October 2009)
Spend Spend Spend! (July 2009 and September 2010)
Blithe Spirit (May 2009)
Bubbles (April to May and September to October 2009)
A Midsummer Night's Dream and The Merchant of Venice (March 2009)
Life X 3 (January 2009)
Matilda and Duffy's Stupendous Space Adventure (November 2008)
The Sirens' Call (November 2008)
Our Country's Good (September 2008)
See Newbury Dramatic Society for a review of The Recruiting Officer (October 2008)
Sunset Boulevard (July 2008)
Boxford Masques - Knight and Day (July 2008)
Black Comedy and The Bowmans (May 2008)
London Assurance (April 2008)
Micky Salberg's Crystal Ballroom Dance Band (April 2008 and on tour)
Great West Road (March 2008)
Merrily We Roll Along (March 2008)
Honk! (November 2007)
Rope (September 2007)
Martin Guerre (July 2007)
Twelfth Night (June 2007)
The Story of a Great Lady (April and September 2007, and on tour)
The Rise and Fall of Little Voice (April 2007)
For Services Rendered (March 2007)
Plunder (January 2007)
The Snow Queen (November 2006)
Peter Pan in Scarlet (October 2006)
The Taming of the Shrew (September 2006 and on tour in 2007)
Hot Mikado (July 2006 and September 2009)
Boxford Masques: The Crowning of the Year (July 2006)
Hobson's Choice (May 2006)
Twenty Thousand Leagues under the Sea (April 2006)
Tartuffe (February 2006)
The Jungle Book (November 2005)
The Gilded Lilies (October 2005)
Copenhagen (September 2005)
The Garden of Llangoed (September 2005 and September 2006)
Thieves' Carnival (July 2005)
The Shed (July 2005)
Mack and Mabel (May 2005)
The Odyssey (May 2005)
Broken Glass (April 2005)
The Winter's Tale (January 2005)
Arabian Nights (December 2004)
See Newbury Dramatic Society for a review of Whose Life is it Anyway? (November 2004)
Multiplex (November 2004)
Neville's Island (September 2004)
The Comedian (September 2004 and March 2005)
Raising Voices Again (September 2004)
Pinafore Swing (July 2004)
The Venetian Twins (May 2004)
The Gentleman from Olmedo (April 2004)
Mr & Mrs Schultz (March 2004 and on tour)
Sweeney Todd (February 2004)
The Emperor and the Nightingale (November 2003)
See Newbury Dramatic Society for a review of An Ideal Husband (November 2003)
A Star Danced (September 2003)
The Fourth Fold (September 2003)
The Last Days of the Empire (July 2003)
Accelerate (July 2003)
Dreams from a Summer House (May 2003)
The Triumph of Love (April 2003)
Gigolo (March 2003)
Raising Voices (March 2003)
A Midsummer Night's Dream (February 2003)
The Firebird (November 2002)
Ten Cents a Dance (September 2002)
Dancing at Lughnasa (July 2002)
Love in a Maze (June 2002)
Fiddler on the Roof (April 2002)
I Dreamt I Dwelt in Marble Halls (March 2002 and March 2006)
Only a Matter of Time (February 2002)
Cinderella and the Enchanted Slipper (November 2001)
Piaf (October 2001)
The Merchant of Venice (October 2001)
Witch (September 2001)
The Clandestine Marriage (August 2001)
The Importance of Being Earnest (May 2001)
Gondoliers (March 2001)
Rose Rage (February 2001)
Carmen (July 2000)