Pegasus Theatre, Oxford
Magdalen Road, Oxford, OX4 1RE
Pegasus Theatre is a unique organisation that brings together the work of young people, professional companies and emerging artists in all fields of performance.
My Name Is, 12th to 13th September, 19:30
Gaby has a Scottish mother and a Pakistani father. When she disappears from home, everyone assumes her father has kidnapped her. Spiralling headlines are momentarily silenced when Gaby reveals she has chosen to live with her father in Pakistan. She declares ‘My name is Ghazala’ and seemingly turns her back on Gaby and life in the West. Tamasha’s verbatim play directed by Philip Osment uses the real testimonies of the Pakistani and Scottish families of 12 year old Molly Campbell/Misbah to inspire a moving and powerful play.
The Pearl, 18th to 19th September, 19:30
Impoverished pearl-diver Kino finds the ‘pearl of the world’ and believes his family’s life will be transformed. Seduced by the pearl’s beauty and promise of riches, he’s blind to the danger of possessing something that everyone wants. This timeless fable about the allure of greed, the confines of class, and the redemptive power of love, asks us to consider: what do we value most in the world? Dumbshow bring Steinbeck’s novel to life with their trademark visual inventiveness and playful theatricality.
Pigeon, 20th September, 14:00 and 16:30
Travel back 100 years to the battlefields of the First World War when pigeons saved lives by flying vital messages behind enemy lines. This is the incredible true store of those pigeons.
Wingman, 27th September, 19:30
A new father-son comedy. Mum's dead. Annoyingly dad's not.
Puppets Go Wild Funky Monkey, 5th October, 11:00 and 14:00
Funky Monkey has lost his funk! Who’s got it? Where can it be? How can he get it back? Meet a host of funktastic Monkeys, a Funk Doctor and join in the funkadelic jungle fun!
Strictly Balti, 9th to 10th October
Join Saikat as he dances precariously through his dual-identity childhood, torn between the familiar sights of Birmingham and the mysteries of Bangladesh. Meet werewolves in the playground, nuns in the corridors and tangerines in the dancehall. This show by Travelling Light is for anyone who ever had to grow up, a show about being a second generation immigrant in the UK but feeling like an Englishman abroad.
Macbeth – Blood will have blood, 16th to 18th October, daytimes
Shakespeare’s Macbeth re-invented for young audiences in an innovative, one-man, digital production of Nick Walker’s hugely successful adaptation. A macabre porter is trapped inside a two-dimensional portal. Released from his world by the arrival of an audience, he leads us straight into the dark heart of Shakespeare’s play. Razor sharp storytelling, a dramatic on-screen world and a heart-stopping soundtrack will take audiences on a break-neck journey through the blood-soaked world of Macbeth. Supported by Arena Theatre, Wolverhampton and funded by the Arts Council England.
Around the World in Eighty Days, 23rd October, 19:30
A joyfully frenetic whirlwind of a show, full of daft Victorian invention, daring deeds and downright silliness. Three actors portray a cast of thousands in this madcap adaption of Jules Verne’s globetrotting classic, bringing to life sea storms, police chases and even elephant rides. Oxfordshire Theatre Company and The Theatre, Chipping Norton bring you a piece of theatre that will have you crying with laughter as you travel the world.
Shop of Little Horrors, 30th October to 1st November, 19:30
Grimlake’s Emporium of Novelties is a dilapidated shop on the outskirts of nowhere. Elderly Albert Grimlake is obsessed with puppets, especially the ventriloquist’s dummies whose faces bear and uncanny resemblance to customers, friends and family long gone. He has no successor until Eric comes along. Young and keen as mustard, he’s seen all the Muppets movies. Twice. But Eric discovers there is so much to learn. How do you scream without moving your lips?
The Princess and the Pea, 21st November, 14:00 and 16:30
Imagine a place where what you see is not what it seems, A secret place with a hidden castle and hidden stories, A place where the Princesses don’t know they are Princesses and the Princes don’t really want to become Kings, A place where appearances can be deceptive! In this new fantastical adaptation of Hans Christian Andersen’s The Princess and the Pea, Mike Kenny and the inventive tutti frutti team create a funny, original, beautiful retelling of this familiar tale.
The Snow Queen, 5th December to 4th January
Young Kai and Gerda are very best friends, but when the Snow Queen steals Kai away to her frozen palace, Gerda must got to the ends of the Earth to save him and melt the splinter of ice in his heart. Inspired by Hans Andersen’s classic story of friendship and growing up, follow Gerda as she faces dangers and dilemmas, magic and adventure. Get up close to the action – to a show that’s fast-moving, inventive, packed with comic characters, excitement and plenty of fun. And that’s not all! We’ll be bringing our building to life in surprising ways, creating a playful experience where you can explore the icy world of the Snow Queen and make your visit spookily special.
Reviews of I’m an Aristocrat Get Me Out of Here
6th December 2013 to 5th January 2014.
Review from the British Theatre Guide.
Gonzo Moose’s I’m an Aristocrat Get Me Out of Here is a hilarious swashbuckling romp loosely based on the novel Scarlet Pimpernel by Baroness Orczy and written by the company.
The enthusiastic opening night audience at Oxford’s Pegasus theatre entered into the spirit of this revolutionary madcap tale with gusto.
It is set in Paris, France with two scaffolding towers designed by Mandy Dike and Ben Rigby providing the backdrop for the palace, dungeons, sewers, a prison cell, Marie Antoinette’s bedroom and an inspired sailing ship complete with a figurehead.
It is an irreverent spoof filled with visual fun from the very start with an actor holding up a storyboard with “Overture” written on it whilst the recorded music plays for ages much to his apparent surprise.
The hero of the story is the mysterious Le Grand Pois who is the leader of the partisans Les Petit Pois who are determined to rescue King Louis XVI from the grips of the revolutionaries who have banned Christmas—a rather tenuous link to the fact it’s a Christmas production.
The three highly talented actors impressively play over twenty vibrant characters with such energy and spirit with lighting fast costume changes and the cast appear to be thoroughly relishing in their various roles with aplomb.
Mark Dawson is splendid as the lisping, wimpish King and, by contrast, he also plays the eccentric artist commissioned to paint the revolutionist De Rein, the vicious head of the evil secret police strongly portrayed by Jonathan Peck who was suitably booed by the audience and he lapped up every minute of their disapproval.
Lauren Silver’s Marie Antoinette, beautifully costumed, is the epitome of the simple, dizzy “Essex girl” with more than a nod to the Carry On films and Barbara Windsor. Her rapport with the audience is tremendous fun. She also plays the accordion musician character Cecile who has become the centre of attention for Jacques who wants to propose marriage to her but is extremely shy.
He involves a member of the audience to practice his proposal to her with hilarious results.
There is a wonderful parody of Les Misérables as the act one finale, all tongue in cheek and performed with sincere ardour.
Abigail Anderson’s assured direction keeps the frenetic pace flowing with flamboyant sword fights, a frantic funny coach ride to Calais that was reminiscent of the Keystone Cops, some clever magic illusions, slapstick and knockabout physical theatre.
Also look out for the Irish peasant singer, the decidedly camp hairdresser, the riotous pole dancers and some classic comic invention that will keep you laughing out loud. As to who Le Grand Pois really is, well you will need to go to find out and it’s quite a surprise.
If you are searching for an alternative to the traditional seasonal pantomime then I’m an Aristocrat Get Me Out of Here is the perfect choice.
Review from the Newbury Weekly News.
Laughing your head off
Losing the revolutionary plot at Pegasus
Gonzo Moose: I'm an Aristocrat, Get Me Out of Here, at Pegasus Theatre, Oxford, until January 5
The Pegasus Theatre's Christmas show, I'm An Aristocrat, Get Me Out of Here is another successful co-production with Gonzo Moose. The production, which toured recently to the Corn Exchange Newbury, is a festive bringer of joy, guaranteed to tickle more than the funnybone.
Gonzo Moose's artistic director, writer and lead actor, Mark Dawson, has taken his inspiration from the antics of the Scarlet Pimpernel during the French Revolution and subverts them in a hilarious spoof.
The clandestine 'Petits Pois' movement is organised by the unknown, Zorro-like Grand Pois. In turn, these counter-revolutionaries are hunted down, arid occasionally comically killed by Robespierre's sadistic police chief, De Rien (Jonathan Peck). A pompous preener, De Rien gets to sing wonderfully portentous numbers in the style of Les Misérables, only to find his moments in the spotlight stolen by the tomfoolery of other characters.
The plot revolves around Le Grand Pois' plan to spring King Louis (Dawson) and his hilariously common wife Marie Antoinette (Lauren Silver) from their prison cells. In one delicious second-half 10-minute spell, Silver had the audience almost crying with laughter as she and Dawson stick their tongues out at each other. The routine is so simple, yet so utterly funny. Silver was only a split end away from corpsing, which only enhanced the bellylaughs from the crowd.
Unforgettable moments include a flashback to a Christmas party where Louis and Marie-Antoinette have their first kiss together while unwrapping their presents, a magical Keystone Cops-style carriage ride across France using only the most simple of props and theatrical imagination, and a pole dancing scene by Dawson and Peck doubling as bored gendarmes.
Mandy Dike and Ben Rigby's inventive set conjures up Parisian sewers, rooftops and a maze of prison cells. The cast clamber over, under and through the pipes and planks in the manner of Errol Flynn playing Robin Hood.
The rapid costume changes are an important feature of the show as is the excellent use of music cues. Director Abigail Anderson once again demonstrates she is among the best directors of comedy. A must-see for the holidays.
There are reviews from The Stage ("the latest in a line of brilliantly realised shows that take a familiar scenario and turn it on its head with a dash of whimsy and a good deal of mischief... on such form, Gonzo Moose will hopefully have many more residencies to come") and Daily Info ("children will love it, and adults will be glad they came... for a festive Christmas treat – go Gonzo Moose!"),
For more details
see Pegasus' web site at www.pegasustheatre.org.uk.
I’m an Aristocrat Get Me Out of Here, 6th December 2013 to 5th January 2014
What the Dickens, 30th November to 30th December 2012. See the reviews in the Archive.